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Potter (Grace, not Henry) struggling with Neil Young on Letterman

Nocturnals Grace Potter and his is already a bit of time to move on the edge of the star system. It seems that lately we are moving, on the other hand offer a rock-blues great bill which, although lacking in originality, is at the top of today's performance like that. Billboard is beginning to reward the band with high positions in the standings. In short, the good (and not bad eh) Grace is emerging slowly with merit.


In this case the girl is accompanied by enough high-sounding names to give to posterity a splendid performance of Cortez the Killer, the famous song of the best Neil Young.

She cries a little but the interpretation is still strong and level, nothing surprising for those who already knew her.

The two things that strike me, however, are two more:

- madonna as there is the trumpet in this piece, how to give that extra touch of epic quality that goes in perfect sync with the pathos of the song.

- really the only fish out of water but is very good (but boring here) Joe Satriani, star of the modern guitar, but frankly unable to get into the spirit of the song. Are these cases where you know that the technique is not enough to offset the monstrous heart. And the solos In the Younger as "primitive" compared to Satriani, are dramatically better and more functional piece. I have this indelible version on Live Rust, for example.

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Janelle Monáe



1) are not exactly a fan of black music, at least not for that output after 70 years (with the sole exception of Prince).
2) amy winehouse although White had given a great shock at the time of rehab but then went on a tangent
3) I thought guiltily that it was a new janelle Beyonce or rihanna and I never miss the spun smear
4) now that the long wave has arrived at a notorious conservative traditionalist & rocker as I am I could not help but feel e. ......

.... say it is pure dynamite seems reductive.

(PS Kendricks and Ruffin you still have some hope of being considered a model for some young that instead of rapping and singing, soaring sculettare how did you)

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drums Brooklyn

Brooklyn are at least three years, which continues to churn out new music in an absolutely outweigh any other city (district?) on the planet.
It 's a little indie has become the center of the world.
Among the very many proposals (and I only Vampire Weekend and Grizzly Bear, but there are really galore) recently struck me THE DRUMS.
hit for the freshness, the dynamism, for the ease that emanates from their unpretentious songs.
The famous (at least in the parallel universe of those who watch the indie charts) is LET'S GO SURFING , a kind of Beach Boys crossed with the garage and with a dash of melodic punk.
fucking bomb back to the Beach Boys, perhaps more influence today than when they existed. However, there
around the song, which I already work in the world of advertising for things like cars for thirty years (but I do not know which spot), and is characterized by the initial whistle contagious.

Move your ass and look west toward the Big Apple, to Brooklyn.
For the moment do not emerge as scenes pop.