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Kripax vs Cage: 4'36''





1952: American composer John Cage (1912-1992) presented to the public the composition 4 '33''or 4 minutes and thirty seconds of silence.
Silence, Cage says, "is that aspect of sound that can be expressed by the sound of her absence, both positively and negatively."
"What listening" to 4'33 "some believed was silence, as it ignores how to listen, is full of sounds accidentali.Alla first performance was heard during the first movement, the wind blowing outside. During the second movement drops of rain began to tap on the roof, and during the third produced the same people all sorts of interesting sound or talking out of the room. "

2009: Kripax Italian composer (1982 -), introduces the public the composition 4 '36'', or four minutes and thirty seconds of silence.
The silence in the recorded track is complete, digitally generated. The problem for the public is the same: silence can be heard? An 'other issue is the copyright: Kripax can play the silent "Cage", without committing plagiarism? In his defense
Kripax says: "My silence is purer than that of Cage, and also has a longer life. This should be enough to say that my silence is more silent in every way to that of Cage."


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1952: The American composer John Cage (1912-1992) presented to the public the composition 4.33, or 4 minutes and thirty-three seconds of silence.
Silence, Cage wrote, "is that aspect of sound that can be expressed by both the sound of its absence, both positively and negatively."
"What you listening to" 4'33 "some believed was silence, because they ignored how to listen, is full of accidental sounds. The first performance was heard during the first movement, the wind blew outside. During the second movement drops Rain began to tap on the roof, and the third during the same people produced all sorts of interesting sounds or talking out of the room. "

2009: the italian composer Kripax (1982 - ), presented to the public the composition 4' 36'', or 4 minutes and thirty-six seconds of silence.
The silence in the recorded track is total, digitally generated. The problem for the listener is the same: silence can be heard? Another problem the copyright Concerns: Kripax can play without incurring the silence of Cage to plagiarism?
In His defense Kripax says: "My silence is Purer Than Cage's silence, Also Has a Longer duration. That Should suffice to say That my silence is more silent Than Cage in every way."